Resonance
Ecology
How do we listen to an environment in flux? Field recordings, soundwalks and work with local communities connect urban and island soundscapes.
CITY / ISLAND / ENVIRONMENTSOUND ART / RESONANCE ECOLOGYSINCE 2016 / CROATIA
SPACE IS
AN INSTRUMENT.
Sound travels through walls.
Through bodies. Through cities.
We follow what changes along the way.
01 / THE PLATFORM
What happens when
we listen differently?
ISPOD BINE brings contemporary sound art, experimental performance and sound system culture into shared spaces. Since 2016, it has explored how sound changes our experience of architecture, our bodies and each other.
After ten festival editions, we are developing a year-round platform. Working between city and island, field recording and low frequencies, we connect artistic production with collective listening.
02 / FIELDS OF INQUIRY
FROM NOISE
TO PRESSURE.
Resonance
The body
of sound
Low frequencies, air pressure and spatial resonance. Through PNEUMATIKA, we approach the sound system as an artistic instrument and listening as a whole-body experience.
PNEUMATIKA / SOUND SYSTEMSoundscapes
of Tomorrow
A direction for international collaboration: new sound art practices, knowledge exchange and shared spaces for listening. Thinking about the future starts with what we can hear today.
RESEARCH / INTERNATIONAL COLLABORATIONA CITY
THAT LISTENS.
Four places. Different acoustics. Works that change with every new space.
For 2027, we are developing new productions, the Listening to Space workshop, field research and exchanges between sound systems. Dates and participants will be announced once the programme is confirmed.
ZDZadar / production and the city
SISilba / field listening
STSplit / PNEUMATIKA
ZGZagreb / circulation and exchange
04 / THE ARCHIVE
TEN EDITIONS.
AT A GLANCE.
A selected history of sound, space and listening.
2016–2025 / Split and beyond.